Grossman uses familiar images to tackle loss, love, and many of the emotions we feel. Her sparse language and short poems attempt to evoke emotion from the reader without relying upon complex lines, concepts, or too many literary devices.
Many of her poems have a conversational tone, as if she is speaking directly to the reader. This tone can generate a warmth in the reader, like it does in her poem, "Waiting Warmly Beside Orange Flowers," or it can evoke sadness, like that found in "Wait, Wait I'll Be Back."
Some of these poems tell stories, but those stories leave the reader hanging, waiting for a resolution. Others simply confuse the reader, like "Wooden Ship." Although I was not overly impressed by this volume, it does have a lot to offer the "everyman" and parents may find some poems in this volume to help introduce their children to poetry. Readers looking for poems that are less daunting than those read during high school or college will discover verses in this volume that will tap their hidden love of poetry.
My Interview With Laura Grossman:
When did you realize you wanted to be a poet? Was there a particular event that started you writing poetry?
I realized I wanted to be a poet when I was a child and I loved describing the winter days in a form of a haiku. The particular event that started me in writing poetry was after my father died and the professor at college had me read a stanza that captured the way I felt about the death of my dad. Suddenly there was beauty and meaning in the way I felt about my late dad.
Is The Sighing of the Winter Trees your first published book of poetry? Could you describe your path to publication?
The Sighing of the Winter Trees is my first published book of poetry. I took books out on how to achieve my goal of getting published and that helped my path to publication.
Do you have a set routine or do you write when the mood or inspiration hits?
I usually write when the mood or inspiration hits.
What are your favorite poetic forms? And are those forms that you find yourself using the most?
My favorite forms of poetry are haiku and rhythmic and I use those forms quite often.
As a poet can you describe your role in the current literary world and what you see your poetry accomplishing for yourself, readers, and other poets?
I describe my role as a poet to bear meaning and shed light to others about the world in which we live. I also use my writing skills as a way of making lemonade out of lemons until the sun come out again into my life and my readers’ lives as well.
How do you view the current state of poetry in terms of public recognition?
There should be more public recognition of poetry for poetry can heal and sooth us and leave a positive impact on our lives.
Could you describe your favorite writing space?
My favorite writing space is by my fall mums by the window in early morning hours.
Do you have any favorite poets, and if so, why?
Emily Dickinson is my favorite poet. Her words touch my heart with wonder.
What are you currently reading and do you have any particular book recommendations?
I am currently reading The Flowering by Agnes Sligh Turnbull and would greatly recommend this book to others.
I want to thank Dorothy Thompson for sending me Laura Grossman's book and for allowing me to interview her for this post. I also want to thank Laura for taking time out of her schedule to answer my questions.
About the Author:
Laura Grossman graduated from Lehman College with a degree in English literature and won several awards from poetry contests. She has attended poetry readings and has enjoyed positive feedback on her work.
And now, for the contest; This is open to international entrants as always.
1. Leave a comment on this post with an email or a blogger profile that works for one entry.
2. Put this contest in your sidebar or in a blog post for a second entry and leave me a link to it on this post.
Deadline is Nov. 17. I will draw the winner through Randomizer.org.
Also Reviewed By:
Cafe of Dreams
Want to win a copy of Off the Menu by Christine Son, go here; Deadline is Nov. 18
Win a copy of Karen White's The House on Tradd Street here; Deadline is Nov.14